They’re always challenging you in that way.” “That’s the best thing about working with Marvel. “We had already talked with Kevin Feige about a few ideas for this film, but you can never be sure, because once you get comfortable, that whole section of the film you love so much gets cut out and you have to go in a different direction,” Waititi said. When penning “Love and Thunder,” Waititi shared that he “knew better than to get too comfortable or think that I could get away with whatever I wanted.” I would want to take a character and put it in the film, or kill off a character, but it affects all these different things I have no idea about.” I just want to do my film, just put the things in, then have them say, ‘You can’t do that, because that messes with this whole storyline.’ There are so many iterations of this film. “I don’t do any research into all of the threads and storylines of Marvel because there’s too many and I don’t know half the characters,” Waititi said. Waititi previously told IndieWire that (seemingly, other than the goats reference) he opted to not become inundated with piecing together all of the Marvel IP threads from the comic books. IndieWire’s David Ehlrich noted in his review of the film that the goats, which pull Thor’s space boat, have shrieks “so frequent, they become part of the soundtrack.” Oscars 2023: Best Adapted Screenplay PredictionsĮmmy Predictions: Outstanding Supporting Actor in a Limited or Anthology Series or Movie - Bartlett Time Taylor Swift, Kendrick Lamar, and More Big Names Have Shorts Officially Vying for Oscars Consideration Taylor Swift Was Turned Down as a 'Twilight' Extra for Being Too Famous So it was just a shot of how the CG creatures were coming along, it wasn’t meant for the film or anything, it was just an update. He continued, “I think one of the vendors that was making the CG goats, they just added the Taylor Swift song ‘Trouble,’ but the fan-made one with the goat sounds, and we just thought it was so funny. Check it out below.Waititi clarified, “A lot of people think it’s me screaming. Ninja and Yolandi Visser’s teenage daughter Sixteen Jones turns up, as well. ![]() Even though he’s not on the song, Ninja gets a cameo as an intolerant diner cook. More to the point, group member Ninja directs the video, which turns the lyrics literal and tells a story about an actual alien creature who can’t fit into the burned-out Detroit landscape where she finds herself. That’s a sonic pairing that makes about as much sense as anything else in this world. It’s a collaboration with a mysterious entity called the Black Goat, and if this Discogs page is to be believed, it’s really DJ Muggs, the sonic mastermind behind Cypress Hill. ![]() The song itself, sung entirely by group member Yolandi Visser, is a tingly and ethereal thing about feeling like a misfit who doesn’t fit in. Today, they’ve got a typically head-spinning video for “Alien,” a song from their 2016 album Mount Ninji And Da Nice Time Kid. When last we heard from the group, they’d dropped the short film Tommy Can’t Sleep on the world, roping Jack Black into their perversity. The strange and intense South African novelty-rap institution Die Antwoord are back.
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